Author Interview with Jodie Lynn Zdrok

Today, I have the honor of interviewing Jodie Lynn Zdrok, author of Spectacle and the upcoming sequel Sensational. You can read my review of Spectacle here.

First, here’s a bit about Jodie:

Jodie Lynn Zdrok holds two MAs in European History (Providence College, Brown University) and an MBA (Clark University). In addition to being an author, she’s a marketing professional, a freelancer, and an unapologetic Boston sports fan. She enjoys traveling, being a foodie, doing sprint triathlons, and enabling cats. She is represented by Ginger Clark of Curtis Brown, Ltd.

And here’s a bit about Spectacle: 

Paris, 1887.

Sixteen-year-old Nathalie Baudin writes the daily morgue column for Le Petit Journal. Her job is to summarize each day’s new arrivals, a task she finds both fascinating and routine.

That is, until the day she has a vision of the newest body, a young woman, being murdered…from the perspective of the murderer himself.

When the body of another woman is retrieved from the Seine hours later, Nathalie realizes there is a killer haunting the streets of Paris—and her strange new ability may make her the only one who can discover his identity. Her search for answers sends her down a long, twisty road involving her mentally ill aunt, a brilliant but deluded scientist, and eventually into the chilling depths of the Parisian Catacombs.

Nathalie must follow the clues in her visions to discover the truth about who is murdering the young women of Paris—before she becomes a target herself.

And now for the interview!

Your debut novel Spectacle is set in 1887 France. What did your research process look like?

So much research in a historical! My academic background is in history, so I had a good foundation of general knowledge about late 19th-century Europe. My research included graduate school materials, books, articles, and newspaper accounts (e.g., the Pranzini element in the book is based on actual events, and I looked up a newspaper article to get a feel for the scene at what ends up being one of the final sequences in the book). Photography wasn’t too big at the time, and some things that I wish I could have had photos of (e.g., the morgue at that time, the Catacombs at that time) either don’t exist or aren’t readily available. 

Beyond researching cultural details, both the big picture ones and everyday life ones (how people lived, what a building was called in 1887 Paris, etc.), I spent a lot of time examining the language I used. As much as possible, I tried to use words in both the narrative and in dialogue that existed in 1887 (you’d be surprised how many things we rely on now weren’t in use at that time, even small things like “ok” and “fine”). I checked etymology a lot and mostly avoided the use of idioms. That doesn’t sound like a lot, but over the course of 97K words, being mindful of that adds another layer of complexity. 

Spectacle is one of very few books that I’ve read where the main character has a pet (and the pet lives!). Why was it important to you that Nathalie had a cat?

Stanley is near and dear to my heart! Originally, Nathalie did not have a cat. Real life inspired his presence: My beloved white cat, Stasiu Kitty, died while I was doing revisions for my agent. I was heartbroken, as you can imagine. So I decided to give Stasiu Kitty literary life as Stanley (Stasiu is Polish for Stanley). It is a bit unconventional, but Stanley has become quite a character in his own right! Many readers have a soft spot for him, and I think that’s because lots of people know the feeling of having a cat or dog on the bed, following you, gently “interrupting” conversations, all the things that pets do. I also think we get to see a different side of Nathalie’s home life through Stanley. He adds a little something fun and homey to the dynamic with Nathalie and her parents. (Although I probably don’t give enough credit to the amount of shedding a white cat does.)

Spectacle is genre-blended with historical, mystery, and fantasy elements. What was the biggest challenge of writing a story like this?

The challenge with writing a genre-blending (and bending) novel was making it all work seamlessly, so that all three elements integrated organically. When I first conceived of it, Spectacle was a historical mystery. It didn’t have enough bite, somehow, and I felt as if something was missing. Even though it was inspired by the Jack the Ripper case, that style of mystery alone didn’t have the right feel for me. I wrote the first draft with magic in it, but it wasn’t until revising and really digging deep into the “origin story” of the fantasy element that everything clicked. 

Another challenge, unrelated to the writing but to the novel itself, is that genre blends aren’t for everyone. People who want a straight-up historical, mystery, or fantasy may not find it to be their cup of tea, precisely because it’s a little of each. So it can be a difficult book to describe. I’ve found, however, that people who truly enjoy it thoroughly embrace the genre-blending. 

What has been your favorite types of scenes to write?

Over the course of many drafts, I discovered that I most enjoy writing the “creepy” scenes and the character moment ones. Scenes in Spectacle that were among my favorite to write: the Catacombs scene, the hypnotism scene, a few of the intense conversation scenes, and all the Aunt Brigitte scenes. Those were also the scenes that needed the least revision throughout the process, so I feel like I “got them right” early on, more or less. 

I also experienced that affinity for creepy scenes and intense character scenes again while writing the sequel, Sensational. That’s what, in part, informed my direction for my option novel (a boarding school ghost story/mystery set in 1920s Rhode Island). I tapped into the kind of scenes and writing that I found most enjoyable and satisfying (and ideally readers agree!). 

What has been the happiest moment of your debut year?

Seeing the pride of my boyfriend, parents and brothers. It’s been wonderful to celebrate with family, friends, readers, social media pals, and fellow writers. My innermost circle, those who’ve known me the longest, witnessed my journey and my life, and understand everything that went into achieving this goal…having them participate so completely and genuinely in my joy has been a highlight of my life. I’m grateful for that.

You have a non-writing day job. How do you make the time to write, and how do you find balance?

I’m not sure that I do find balance, to be honest. It’s very difficult to give up lunch hours, come home from a day in the office and find the drive to be creative, and forego weekend activities in order to write. When I’m on deadline, I do what I need to do, and I’m fortunate to have a lot of discipline and motivation under pressure. When I’m not on deadline, it’s less overwhelming, but it’s still a challenge and there’s some guilt if I go too long without writing. 

Burnout is real, no doubt about it, and it’s unavoidable for me at times when everything but work and writing go out the window—thankfully those are relatively short stints over the course of a year. I put a lot of effort into restorative well-being immediately after a deadline or big push, and I always schedule a massage, getaway, dinner out, spa day…something. 

On a day-to-day, steady-state level where I simply need to write and chip away, I reset through exercise. That run, bike, swim, or fitness class is my hour to take a breather, think through plots points and what I’ll be writing that day or week, and be offline for a while. And let’s be honest, I have a sweet tooth. So the working out helps offset that, too. 😊 

Thank you so much to Jodie for her time!

You can check out the relevant links below!

Add Spectacle on Goodreads

Add Sensational on Goodreads

Buy Jodie Lynn Zdrok’s books

Follow Jodie on Twitter

Author Interview with Shaun David Hutchinson

Today, I am totally freaking out over the fact that I got to interview Shaun David Hutchinson.

First a little bit about Shaun:

Shaun is a major geek and all about nerdy shenanigans. He is the author of many queer books for young adults. Find out more information at He currently lives in Seattle and watches way too much Doctor Who.

And here’s a little bit about his most recent fiction work, The Past and Other Things That Should Stay Buried:

A good friend will bury your body, a best friend will dig you back up.

Dino doesn’t mind spending time with the dead. His parents own a funeral home, and death is literally the family business. He’s just not used to them talking back. Until Dino’s ex-best friend July dies suddenly—and then comes back to life. Except not exactly. Somehow July is not quite alive, and not quite dead.

As Dino and July attempt to figure out what’s happening, they must also confront why and how their friendship ended so badly, and what they have left to understand about themselves, each other, and all those grand mysteries of life.

And now for the interview!

In the past, you have referenced The Five Stages of Andrew Brawley as being your relaunch/rebrand as an author. Can you speak more about this?

Sometimes 2008 doesn’t seem like it was that long ago, but when I wrote and sold my first novel, The Deathday Letter, the YA landscape was so very different than it is now.  I honestly wasn’t sure that anyone would be willing to take a chance on me if I wrote books with queer narrators or focused on the things I cared about, like mental health.  I have a special place in my heart for my first two books, but they also aren’t totally representative of me.  They’re more representative of who I believed readers wanted me to be.

The irony is that neither Deathday or FML did particularly well, and they certainly weren’t reviewed positively.  It wasn’t until I had nothing to lose that I wrote The Five Stages of Andrew Brawley.  With Five Stages, I wrote a book that I believed was one-hundred percent representative of who I wanted to be as a writer, and I figured that if publishing rejected it that it was a sign I wasn’t meant to be writing.  It was kind of a fatalistic attitude because we all know that one book doesn’t decide a writer’s future, but I found an agent who believed in Drew’s story, an editor who believed, and readers who were hungry for more stories about people like Drew.

In that way, The Five Stages of Andrew Brawley really was a bit of a rebirth for me as an author.  I had put myself out there, fully embracing my weirdness and queerness and honesty about mental health, and readers had welcomed me into their lives.  The Deathday Letter and FML will always be part of my history, but I sort of think of them as the books I wrote before I found the courage be myself.

In addition to your full length novels, you have been an editor to some unique anthologies (Violent Ends and Feral Youth) which tell an entire story through multiple short stories by different authors. What were the challenges and rewards of undertaking such an ambitious project (twice!)? 

I loved working on those anthologies, but they definitely were challenging.  The major challenge was wrangling all of the stories together and drawing the connections between them.  Violent Ends was more difficult than Feral Youth, but I was extremely fortunate that the authors in both anthologies were so passionate and supportive about what I was trying to do.  They often worked together to create those connections and to build the shared world the stories existed in. I guess in that respect, the challenges were the same as the rewards.  Because while it may have been a tough job to build that shared world, getting to stand back and see how it all came together remains one of the most gratifying experiences of my career.

Several of your recent works dealt with the end of the world in some way while your upcoming 2020 work The State of Us seems to be a departure from that thematic element. What drove this decision?

I remember being a teen and feeling how everything kind of felt like the end of the world, which is probably why I’m so drawn to it as a plot device.  It’s such a great way to explore problems that might otherwise feel mundane to readers.  But you can only end the world so many times before you begin to bore readers. At the same time, the last couple of years have exposed the hateful underbelly that exists in our world.  It was always there, but much of that nastiness was confined to the shadows. And now, unfortunately, it’s felt emboldened to step into the light.  With the world as dark as it is, I began gravitating toward stories that feel a little lighter.  Stories that envision the world I want to live in rather than the world we actually live in.

That said, explorations of sexuality and mental health will always be important to me.  In The State of Us, Dean is struggling to find his place in the queer world as he explores being demisexual, and both boys struggle with how to square their feelings for each other with the differences that divide them.  I’m just approaching those topics from a different angle these days.  One that lets a little more light in.

You transitioned from writing while maintaining another job to full-time writing. How has your writing process changed since this transition happened?

Oddly enough, my process hasn’t changed much.  When I had a day job, I did the majority of my writing in the morning before work.  I still do that.  And I still generally get up between five and six in the morning to do it.  The major difference is that I just do more of it.  I’m able to work longer.  Instead of finishing and then going to work in an office, I finish my morning writing and then go to a coffee shop to do more writing.

The biggest change has honestly been in my approach to future projects.  When I had a day job I was able to spend a couple of months working on a project that might go nowhere because I knew if it didn’t sell, I still had a paycheck coming in.  Writing full time means that I don’t always have that luxury.  If I’m going to commit my time to a project, I have to at least believe there is a good probability that I’m going to be able to make money off of it or I could find myself unable to pay my bills. It’s forced me to be a little more pragmatic about the projects I take on.

But I do make sure to set aside time for those weird passion projects because you never know what’s going to come out of them.  The Five Stages of Andrew Brawley began as a passion project.  As have other books, including one I recently sold that I can’t talk about yet but that I think my readers are really going to enjoy.

Brave Face is an absolutely stunning memoir that deals with a lot of tougher topics, including some very intense mental health challenges. What made you decide to relive these moments and write about them?

Thank you.  That really means a lot.  Even now, months after it came out, I still worry whether I should have published it. But I think that kind of fear is probably pretty natural when putting something so personal out into the world.

The idea actually came about because I was nearing the 20th anniversary of surviving my suicide attempt.  A lot of me goes into my books, but I wondered if it might be helpful for teens to have an account of that time—what I went through with coming out and depression—to both help them see that they aren’t alone and to help those who might not have experience with coming out or mental illness gain some understanding of what others might be going through.  I emailed my editor at Simon Pulse about the idea, and the more we talked about it, the more I thought I might have something worth saying.

The idea of writing a memoir was terrifying, and the only way I got through it was by telling myself that if only one person read it, and it helped them, then that was enough. That would make it worth it. The response has been overwhelming to say the least.

On Twitter, you post about baking a lot. How and why did this hobby come about?

Sorry!  I have a tendency to jump from one obsession to another.  Sometimes those obsessions stick around and become full-blown hobbies. Sometimes they turn into a career. I started baking last winter when my mom came to visit. It was my first winter in Seattle, and it was a cold, wet one.  My mom didn’t want to spent much time outside, so we spent a lot of time at my brother’s apartment where he was watching The Great British Baking Show.  I’d heard about it before, but I’d never sat down to watch an episode.  That show hooked me and reeled me in with its big heart and joyfulness, and I remain a fan of the show despite three-quarters of the original hosts leaving.

After my mom went back home, I found myself spending more time inside due to the weather, and I was looking for something to do. Inspired by The Great British Baking Show, I decided to give baking a try.  My mom baked quite frequently when I was growing up, but it was never something I thought I’d enjoy.  Much to my surprise, I instantly fell in love with it.  I think, for me, baking is a creative outlet that’s stress-free.  I enjoy the process of baking immensely because it helps calm my hyper-active and over-imaginative mind while also keeping me physically moving.  Plus, the end results make people smile.  Show up to a gathering with even the ugliest cake, and people will still smile.  Right now, baking is an oasis for me in this messy, messed up world.

Finally, what are some books that need to be on our radar? (This can be already released books and/or upcoming releases.)

Definitely The Gravity of Us by Phil Stamper and How To Be Remy Cameron by Julian Winters.  I’m about to get started on Surrender Your Sons by Adam Sass, and the first page has already got me hooked.  Ryan La Sala’s Reverie is out soon, and I’m dying to get my hands on it.  Camryn Garret’s Full Disclosure and Saundra Mitchell’s All the Things We Do in the Dark are both out October 29th, and they’re at the very top of my reading list.  I also had the opportunity to hear Ryan Douglass read from his horror/thriller Jake in the Box, and he was amazing. I can’t wait to read the whole book.

There are always so many more books that I want to read than I have time for—the curse of every reader!—but we’re lucky that there are so many outstanding and diverse books out there now with more headed our way.

Thank you so much to Shaun for his time!

And always, here’s some links for you to check out:

Shaun David Hutchinson Links
Check Out Shaun on Goodreads
Make Shaun supremely rich and buy his books/enhance your own life too
Follow Shaun on Twitter

The Books Shaun Mentioned
Add The Gravity of Us to Goodreads / check out my interview with the author
Add How to Be Remy Cameron to Goodreads
Add Surrender Your Sons to Goodreads / check out my interview with the author
Add Reverie to Goodreads / check out my interview with the author
Add Full Disclosure to Goodreads
Add All The Things We Do in the Dark to Goodreads
Add Jake in the Box to Goodreads

Author Interview with Alex London

Today, I have the amazing honor of doing an interview with Alex London, author of 25+ books. I’m still freaking out about this one.

First a bit about Alex (from his website):

Alex London is the author of over 25 books for children, teens, and adults, with over 2 million copies sold. For middle grade readers, he’s the author of the Dog Tags, Tides of War, Wild Ones, and Accidental Adventures series, as well as two titles in the 39 Clues series. For young adults, he’s the author of the cyberpunk duology Proxy and the epic fantasy Black Wings Beating. He’s been a journalist reporting from conflict zones and refugee camps, a young adult librarian with New York Public Library, an assistant to a Hollywood film agent, and a snorkel salesman. He lives with his family in Philadelphia, PA.

And here’s a bit about Alex’s latest series, The Skybound Saga which begins with Black Wings Beating:

The people of Uztar have long looked to the sky with hope and wonder. Nothing in their world is more revered than the birds of prey and no one more honored than the falconers who call them to their fists.

Brysen strives to be a great falconer―while his twin sister, Kylee, rejects her ancient gifts for the sport and wishes to be free of falconry. She’s nearly made it out, too, but a war is rolling toward their home in the Six Villages, and no bird or falconer will be safe.

Together the twins must journey into the treacherous mountains to trap the Ghost Eagle, the greatest of the Uztari birds and a solitary killer. Brysen goes for the boy he loves and the glory he’s long craved, and Kylee to atone for her past and to protect her brother’s future. But both are hunted by those who seek one thing: power.

And now for the interview!

You’ve published 25+ books, all of which are quite different. Does your writing process change from book to book/genre to genre? 

Not really, in terms of the fiction anyway…. although they are indeed all quite different. Each book kind of teaches me how to write it and every book has it own unique challenges and demands. The technical process is usually the same. I have some idea of the major early beats of the story, the character’s wants and needs and flaws, and a few things I want to happen, which I use as signposts while discovering the story as I write. I tend to strive for word count goals, so I lay down a quick rough draft that isn’t usually very good, and then I sort of make a post-first draft outline to see where my gaps and leaps are and then I revise and revise and revise. For me, most of what makes my books readable happens in revision, but that first draft is about discovering what the heart of that book is, why I’m actually writing it vs. why i thought I was writing it when I first sat down. My books to tend to be smarter than I am and they teach me what they are as I go through the process of writing them.

In several of your books (Skybound Saga Trilogy, Wild Ones trilogy, and the Proxy duology), you created some pretty impressive worlds. What does your initial world building process look like?

I LOVE world-building. I actually think all fiction writing is world-building, even in contemporary realistic fiction. You’re always choosing details, guiding the reader’s perception and where you point their imaginations builds your worlds. I never liked info-dumps in fantasy and sci-fi so I tend to approach world building through my characters—what do they believe and know about their world, what do they discover. I find ways to provide that information through the language characters use, through the assumptions they make, the food they eat, the jokes they tell. I often don’t have too detailed a plan when I begin, but as I go I am very deliberate about asking myself questions on the world. I always ask myself: who has power in this world, and how do they keep it? How does power move? What does everyone in this world know (even if it’s not “true”)? And I like to know a little about what they eat and where it comes from. That can tell you a lot about how to build a world.

In late summer 2018, you and your husband welcomed Baby Human into your lives. How has her presence changed your writing life and writing habits? 

Yeah…in every way. Time is more precious; there is more pressure to deliver but also more demands pulling at my mind. The act of writing is the same, but this first year has been hard to actually do it, or at least do it well. I’m still learning how, but she gives me a heck of a good reason to figure it out!

In addition to your 25+ published books, you have quite a few published short stories. If you had to choose one, which one is your favorite published short story and why?

Definitely “Indoor Kids” in the anthology, It’s A Whole Spiel edited by Katherine Locke & Laura Silverman. It was my first YA contemporary story and my first explicitly Jewish main characters (who weren’t me…I did write an entire nonfiction book about my relationship to Judaism and Israel). It’s also my first fully romantic story with the plot and tension comes from flirting and crush, which I just had the most fun writing. I’m really proud of the story and the voice and the process really made me want to write more contemporary YA.

If you had the opportunity to write an IP book for anything of your choosing, what would you choose and why?

No comment…mostly because my dream project is somewhat in process and I can’t say any more about it. I will say, as this one isn’t happening, I once pitched an AMAZING m/m Pacific Rim graphic novel to the company that owns that copyright and I’m super proud of the story and would love to actually write it one day. Honestly, I might just to it as fanfic sometime.

If you could choose ANY of your 25+ books to become a movie or tv series, which one would it be and why? 

Any of them! All of them! The thing about Hollywood adaptations is that even the bad ones bring new readers to the books and the books exist no matter what, so I’d love the chance for that to happen to any of my work. It’d be wild to see any of my daydreams rendered on screen by talented filmmakers. That said, I’ve been going through a long journey to the small screen with PROXY, my 2013 sci-fi novel and I really hope something comes of it. As is the way of Hollywood, I’m not allowed to say more…but there is a process underway!

I think the visuals in Black Wings Beating would be super cool to see on the big screen. I love some good visual spectacle that also feels gritty and real (Like Mad Max: Fury Road) and Black Wings Beating could certainly provide that with the right creative team behind it. It’s not like anything we’ve seen before, that’s for sure. Keep all your fingers and toes crossed! Conversations are underway on that too with some cool and passionate people, but we are in very early stages, which have just as much substance as air at this point.

Thank you so much to Alex for his generous time! This has been a dream interview to do, and I’m still in disbelief that Alex said yes.

As always, here’s some links for you to check out:

Checkout Alex’s YA books on Goodreads

Check out Alex’s other books on Goodreads

Follow Alex on Twitter

Make Alex rich (YA edition)

Make Alex rich (children’s lit edition)

Make Alex rich (adult non-fiction edition)

Author Interview with James Brandon

Today, I have the honor of interviewing James Brandon, author of Ziggy, Stardust, & Me which released in August of this year. The book is absolutely incredible.

Here’s a bit about James from Penguin’s Website:

James Brandon produced and played the central role of Joshua in the international tour of Terrence McNally’s Corpus Christi for a decade, and is codirector of the documentary film based on their journey, Corpus Christi: Playing with Redemption. He’s the cofounder of the I AM Love Campaign, an arts-based initiative bridging the faith-based and LGBTQ2+ communities, and serves on the Powwow Steering Committee for Bay Area American Indian Two-Spirits (BAAITS) in San Francisco. Brandon is a contributing writer for Huffington PostBelieve Out Loud, and Spirituality and Health MagazineZiggy, Stardust and Me is his first novel.

You can visit James Brandon at

Here’s a bit about his book from his website:

The year is 1973. The Watergate hearings are in full swing. The Vietnam War is still raging. And homosexuality is still officially considered a mental illness. In the midst of these trying times is sixteen-year-old Jonathan Collins, a bullied, anxious, asthmatic kid, who aside from an alcoholic father and his sympathetic neighbor and friend Starla, is completely alone. To cope, Jonathan escapes to the safe haven of his imagination, where his hero David Bowie’s Ziggy Stardust and dead relatives, including his mother, guide him through the rough terrain of his life. In his alternate reality, Jonathan can be anything: a superhero, an astronaut, Ziggy Stardust, himself, or completely “normal” and not a boy who likes other boys. When he completes his treatments, he will be normal–at least he hopes. But before that can happen, Web stumbles into his life. Web is everything Jonathan wishes he could be: fearless, fearsome and, most importantly, not ashamed of being gay.

Jonathan doesn’t want to like brooding Web, who has secrets all his own. Jonathan wants nothing more than to be “fixed” once and for all. But he’s drawn to Web anyway. Web is the first person in the real world to see Jonathan completely and think he’s perfect. Web is a kind of escape Jonathan has never known. For the first time in his life, he may finally feel free enough to love and accept himself as he is.

A poignant coming-of-age tale, Ziggy, Stardust and Me heralds the arrival of a stunning and important new voice in YA.

And now for the interview!

Ziggy, Stardust, & Me is set at a pivotal point in LGBT+ history. What drove your decision to set the book in 1973 and deal with some (terrifying) history?

On December 15, 1973, the life of every human who identified on the LGBTQ+ spectrum changed when the American Psychiatric Association officially removed homosexuality from the Diagnostic and Statistical Manual (otherwise known as the DSM; otherwise known as the “Big Book of Mental Illnesses”) and suddenly all those people being “treated” for their “sickness” were “cured.” This was a pivotal moment in our history and one that–coming on the heels of the Stonewall Riots–marked the beginning of the modern-day LGBTQ+ movement. I knew nothing of this time, and having been out for over half of my life, I was ashamed to realize I didn’t know my history. So I started researching this moment, and subsequently started learning what that generation of LGBTQ+ peoples had to endure on a daily basis just to survive. It changed my life. This was the initial seed of Ziggy.

What did your research process look like?

Intense. I proudly deem myself a Research Geek. I spent a solid year researching this novel. Some of my time was spent in the basement of the GLBT Historical Society in San Francisco excavating materials through their vast archives. Most of my time was spent at every library in Los Angeles (and I mean almost that quite literally) digging through books and magazines and movies and newspapers for every topic I cover in the novel. Research is the key to unlocking your story’s mysteries. Even if you aren’t writing historical, any issue you explore or character you’re writing outside of your own lane, needs to be throughly and viscerally researched for true authenticity. YA readers, to me, are some of the smartest humans out there; they can see through anything that even slightly resonates a sense of falsehood. I always wanted a reader of Ziggy to feel fully immersed in the story, to not even think they’re reading a historical novel, but to feel like they’re actually living it. I hope that comes through in the narrative.

When you write heavier scenes, how do you take care of yourself?

An excellent question. Self-care comes in many forms, but here’s what it looks like for me when I’m writing “heavier scenes.” I first let myself feel everything I’m writing. There were many times along the way I was writing a scene through tears, but kept pushing forward. I had to get the words out, even if I knew they weren’t going to end up in the final manuscript, even if I knew only one of those words would stay. Allowing myself to fully feel these emotions through any one of my character’s eyes, gave me a deeper connection to their being, and ultimately to my self. But the minute I felt like I was finished with the scene, I saved my draft, closed my computer, and stopped working for the day. Even if it was only after writing an intense few paragraphs with one hundred words. I’d take a long walk, shake it all off, and wouldn’t think about it again until the next day or week or month or whenever it was time to get back to it. It’s important, I think, to separate your “self” from your “work” at the end of each writing session to keep your identity in check and to continue living a healthy life along the journey

Do you have any interest in visiting some of the other pivotal years in LGBT+ history in your writing? Why or why not? (And if you do, what years would you consider?)

Yes! My next book, and in fact, the next couple of books I have in mind, will all focus on a lost or forgotten moment in LGBTQ+ history. Queer history isn’t taught, and the importance of our generational stories being shared today can no longer be ignored. Queer peoples have obviously existed since the beginning of time, and they’ve contributed innumerable gifts for the betterment of society. We just don’t know about them and it’s time we do. I obviously can’t write about every historical moment, and I’m not particular about any specific year or decade, but I do have some stories in mind that may interweave with Ziggy. I’m focusing on the moments that create a spark within me, because I know that spark will eventually turn into a beacon of light to carry me forward through the hundreds of drafts and rewrites.

What has been the best moment of your debut year?

I’m currently experiencing this at the moment: Being on tour. I’ve spent the better part of the past few years hunkered down in my rabbit hole of writing, interwoven with some major life changes, lost in my own world without too much socializing. The original idea of touring was a little daunting for me, to say the least. And then I was asked to do school presentations in front of 500 students! (Even as an actor, I’d never performed to that size of an audience at once!) But instead of letting my anxiety get the best of me, I pushed through. And I’m so glad I did. Meeting people from every age and walk of life has been so inspiring. To share stories, to laugh, to cry, to connect through this imagined (and some parts unimagined) world I created has been nothing short of pure magic. I didn’t realize how rewarding it would be to meet readers who’d fall in love with these characters that I care about so deeply. And to be able to share my personal journey along the way, to hopefully help those who might be questioning their own, has been the biggest gift I could ever receive.

What books do you recommend that would pair well with Ziggy, Stardust, & Me?

1- Like a Love Story by Abdi Nazemian — another queer historical set in the 80s that has a beautiful story with gorgeous prose.
2- The Grief Keeper by Alex Villasante– a queer speculative story that interweaves immigration and f/f love in a delicate and lush narrative.
3- The Strange Fascinations of Noah Hypnotik by David Arnold– for any Bowie fans out there who love Ziggy, this story had a Vonnegut-esque twist and was such fun to get lost in the mind-bending narrative.
4- Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Saenz– THE classic queer love story…enough said.

Author Interview with Ryan La Sala

I had the honor of interview Ryan La Sala for my blog, and oh boy, this one is something quite out of this world. I somehow got approved for an eARC of Reverie earlier this summer, and I found it to be such a compelling read. (Review is here)

First a bit about Ryan (from his website) :

Ryan La Sala has always lived on the partition between the real and unreal. He writes about surreal things happening to real people, and his stories are almost always queer. His first book, REVERIE,  focuses on the worlds we build within ourselves—our dreams and our delusions—and how they warp our reality. You can read an interview about it here.

Ryan grew up in a quaint suburb of Connecticut with his three siblings and three parents. He studied Anthropology and Neuroscience at Northeastern University in Boston and now works atop an antique movie theater at a digital design agency in Somerville, MA. He lives in a house festooned in decorations from past theme parties, where the TV alternates between Buffy the Vampire Slayer, Kingdom Hearts, and Sailor Moon. If not writing, Ryan is doing arts and crafts with his roommate, lounging around on gym equipment while listening to publishing podcasts, or listening to NPR while cooking. He loves CATS the musical unironically.

And, for those wondering, Ryan writes about drag queens but is not regularly in drag himself. He just doesn’t have the nose for it, and that’s okay.

Ryan is represented by Veronica Park at Fuse Literary.

And then a bit about Reverie, his forthcoming book (again from his website):

All Kane Montgomery knows for certain is that the police found him half-dead in the river. He can’t remember anything since the accident robbed him of his memories a few weeks ago. And the world feels different… reality itself seems different.

So when three of his classmates claim to be his friends and the only people who can truly tell him what’s going on, he doesn’t know what to believe or who he can trust. But as he and the others are dragged into unimaginable worlds that materialize out of nowhere—the gym warps into a subterranean temple, a historical home nearby blooms into a Victorian romance rife with scandal and sorcery—Kane realizes that nothing in his life is in accident, and only he can stop their town from unraveling.

And now for the interview!

Can you tell us a little bit about your publishing journey so far?

I’ve been wondering about my publishing journey recently, and I’m pretty sure I did everything wrong. I wrote a book so indulgently gay and tailored to my tastes that I was sure it was never going to get me represented by an agent, never mind sell to a major publisher. And to make it worse, I wrote about ~*~DREAMS~*~, and fantastical amnesia, which are rather threadbare territories in the genre. And then, when it got rejected, I ignored everyone’s advice to ‘please for the love of god write something different’ and just kept choo-chooing along.

And THEN, instead of having a nice and professional and smart digital presence, I sort of turned into a virtual clown on Twitter, known for not wearing pants and not knowing how to spell, which is actually who I am IRL.

Anyhow, my agent found me on twitter. So did editors. And my nightmarish, gay-ass book has found a dramatically enthusiastic audience even before publication. It’s a dream – PUN INTENDED – come true.

Anyhow, I wouldn’t recommend anyone follow in my footsteps. Truly I’m baffled any of this worked. But somehow doing stuff the wrong way has worked for me, so here I am!

You have another job in addition to the writing job. How do you find balance in this?

It’s true! People can’t possibly imagine me in a professional scenario, but I actually work in project management and tech. I oversee engineering and design projects for websites! It’s fun and nerdy and I really love the agency I work for. It’s also super demanding, so I’ve got to be pretty organized with how I spend my time.

For instance, I take great care in making use of my time outside of working hours to get all my writing deliverables done, so that I’m not distracted when I’m in the office or working with clients. This includes not just my actual writing, but also all the creative assets that come with promo. Many of my tweets are drafted/planned out the night/weekend before (I flinch at calling these ‘creative assets’ but I guess they technically are, given my origin story?). The images and gifs I put together are designed and edited while I’m dawdling at the gym. If I’m stuck on the train, I’ll write up email responses in my notepad and send them during lunch. Even right now, I’m on a train on my way home from a client visit, making the most of a few minutes to respond to interview J I’m chronically behind on writing stuff, but I do eventually get everything done.

Reverie features a drag queen sorceress. Can you tell us the story behind how that came to be?

Growing up, I spent many summers as a little kid running around Provincetown, a popular performance spot for queens, and I was enamored with every queen I saw. Drag queens are incredibly powerful, just by the nature of their ability to create an entire fiction around themselves. They are the collision between fantasy, power, and self-possession, and I admire the raw individuality it takes to create yourself every single day.

So much of REVERIE has to do with having the guts to manifest the things you believe in, and for me there is no one more prepared to do that than a drag queen. Anyone else could command the forces Poesy commands, but as the book shows, no one is quite as willing, or anywhere near as determined.

While Reverie is fantasy, it’s a very grounded fantasy and takes place in Connecticut. Are any of the places in your book inspired by real life places?

Actually, yes. While Easy Amity, the town in the book, is fictional, it may or may not be based on the real places of West Hartford (where I grew up), and Middletown, where my sister attended college. The Cobalt Complex is drawn from my childhood exploration of the factories that line the many rivers in CT, most of which are abandoned and in a state of thorough decay.

When I first sold REVERIE, I took a few days to go and re-explore the places that had inspired the book. I visited libraries, a jail, high schools, and more abandoned factories than I’d like the police to know about. It’s all real stuff, even the stuff you probably think I made up.

What is your biggest hope for the first year that your book is available to readers?

In the first year of REVERIE’s life, I would really love to see it inspire readers to create their own art. Fan art is cool, and of course adored by me, but the best response I have gotten to this book is the growing contingent of readers who have reported that after finishing the epilogue, they felt the wild urge to create something. I love that. I want that. And I want that especially for the creators out there who are maybe shy of their imagination, because they’ve been othered by media, society, or their family. If this book gets people to really sit down and explore their inner worlds, I will consider my job done well.

When not at your day job or writing, what do you do for fun or to relax?

I live with two dogs, and I love to annoy them with improvised songs about what I think they’re dreaming about. I also occasionally haunt a gym, where I’ve been known to lift a weight or two every few hours. I also love to go to the movies by myself, and binge anime (not by myself, but it’s very very very hard to convince any of my friends to sit through really any anime with me).

Thank you so much to Ryan for the time and effort put into this interview.

Reverie releases December 3, and I’ve included important links below:

Add Reverie to Goodreads

Pre-order Reverie

Follow Ryan La Sala on Twitter

Author Interview with Adib Khorram

Today, I have the great honor of doing an interview with Adib Khorram, author of the award-winning (and life-changing) Darius the Great is Not Okay.

First, here’s a bit about Adib (from his website)

ADIB KHORRAM is the author of DARIUS THE GREAT IS NOT OKAY. If he’s not writing (or at his day job as a graphic designer), you can probably find him trying to get his 100-yard Freestyle under a minute, learning to do a Lutz Jump, or steeping a cup of oolong. He lives in Kansas City, Missouri, where people don’t usually talk about themselves in the third person. You can find him on Twitter (@adibkhorram), Instagram (@adibkhorram), or on the web at

And here’s a bit of Darius the Great is Not Okay (again from his website):

Darius doesn’t think he’ll ever be enough, in America or in Iran. 

Darius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He’s a Fractional Persian–half, his mom’s side–and his first-ever trip to Iran is about to change his life.

Darius has never really fit in at home in Portland, and he just knows things are going to be the same in Iran. His clinical depression doesn’t exactly help matters, and trying to explain his medication to his grandparents only makes things harder. Then Darius meets Sohrab, the boy next door, and everything changes. Sohrab introduces Darius to all of his favorite things–mint syrup and the soccer field and a secret rooftop overlooking the city’s skyline. He gets Darius an Iranian National Football Team jersey that makes him feel like a True Persian for the first time. And he understands that sometimes, friends don’t have to talk. Sohrab calls him Darioush–the original Persian version of his name–and Darius has never felt more like himself than he does now that he’s Darioush to Sohrab.

By turns hilarious and heartbreaking, Adib Khorram’s brilliant debut is for anyone who’s ever felt not good enough–then met a friend who makes them feel so much better than okay.

And now for the interview!
Darius the Great is Not Okay is frequently included on lists for LGBT+ books, but in the book itself, Darius’ sexuality is never overtly stated. Was this an intentional decision/what drove that decision?

It was quite intentional. For me Darius’s story was always, always about friendship; I didn’t even realize he was queer until I was deep in revisions. I think it’s important to show pre-coming out queer narratives, and I think it’s important to show that queer identity is only one small part of people.

Darius has won quite a few literary awards which is incredible. What has been your most personally rewarding moment in the year since the book first released? (Doesn’t have to be literary award related!) 

It’s hard to pick a rewarding moment—there have been so many—but I will share a trend that’s stuck with me. I do a lot of school visits and I talk about my own growing up as a queer kid, and a diaspora kid, and I love the conversations that spurs. Sometimes it’ll be a big discussion and the students will get to see their friends and classmates with greater empathy than before. And sometimes it’s a quiet moment of connection where a student is struggling with something and asks me for advice. Making life better for young readers is why I do this.

Darius portrays the quiet struggles of mental illness so well. After I made my mom read it, she told me, “now I understand you and your dad a little better.” Why was it important to you to include this mental health representation?  

When I first started writing Darius back in 2015, it felt like there was a huge crop of books about mental illness that all dealt with suicide. While that’s certainly a possible outcome of living with depression, it’s not the only one, and I wanted to push back on that narrative.

You work a job outside of writing. Because of that, what does your typical writing day look like?

I don’t know that I really have a typical writing day! Sometimes my dayjob will be kind of slow and I’ll take time off to write. Sometimes it’ll be busy and get no writing in. Sometimes I’ll be on a job site but waiting for someone else to finish before I can do my work, and then I might squeeze in some writing there. My favorite writing days are when I can gather with some other local YA authors and we write, talk, and get lunch!

Your next sold book is a picture book. How has this process been different than the process for Darius?

With a novel, I’m in charge of describing everything in words. But with a picture book, I have to leave room for the illustrator. So much gets to go unsaid. It’s been so cool to work on something and know it’s going to be transformed into something even more amazing.

If you had the opportunity to co-write a YA novel with any author (living or dead), who would you pick and why? (And if you wouldn’t want to do a co-write, explain why.)

I met Lana Wood Johnson back in 2014 when we were both querying bad novels. We posted our queries for critique, ripped each others’ to shreds, and have been friends ever since. Her debut, TECHNICALLY, YOU STARTED IT came out this year, and it shares a lot of themes with Darius: nerds, queerness, mental health, parent relationships. I think we’d have a blast working on something fun and nerdy together!

Thank you so much to Adib for doing this interview with me! I’m still in shock that so many authors said yes, and I’m still shocked that Adib said yes.

Darius the Great is Not Okay is such an incredible book. You can read what I had to say about it here, and I included links below to check out.

Add Darius the Great is Not Okay on Goodreads

Buy Darius the Great is Not Okay

Add Seven Special Somethings (the forthcoming picture book) to Goodreads

Author Interview with Phil Stamper

Up next in the author interview series is an interview Phil Stamper, author of the forthcoming The Gravity of Us. I read this as an ARC (read the review here), and I loved it so much.

Here’s a bit about Phil Stamper (from his website):

Phil Stamper grew up in a rural village near Dayton, Ohio. He has a B.A. in Music and an M.A. in Publishing with Creative Writing. And, unsurprisingly, a lot of student debt. He works for a major book publisher in New York City and lives in Brooklyn with his husband and their dog. THE GRAVITY OF US is his first novel, but he’s no stranger to writing. His self-insert Legend of Zelda fanfiction came with a
disclaimer from the 14-year old author: “Please if you write a review don’t criticize my work.” He has since become more open to critique… sort of.
And here’s a bit about The Gravity of Us which releases February 4, 2020.

As a successful social media journalist with half a million followers, seventeen-year-old Cal is used to sharing his life online. But when his pilot father is selected for a highly publicized NASA mission to Mars, Cal and his family relocate from Brooklyn to Houston and are thrust into a media circus.

Amidst the chaos, Cal meets sensitive and mysterious Leon, another “Astrokid,” and finds himself falling head over heels—fast. As the frenzy around the mission grows, so does their connection. But when secrets about the program are uncovered, Cal must find a way to reveal the truth without hurting the people who have become most important to him.

And now for the interview!

In the book, you take the world that was built in the 1960s for the first era of human space flight modernize it. Why did you specifically decide to do this?

This is a great question, and I think it was actually a bit of trial and error that got me to this point. I started drafting the novel as a YA historical fiction novel, actually. In the plan for this novel, I was going to build a teen m/m love story into the actual Apollo program. But I had a hard time making it work. Among the issues, it didn’t feel very relevant or exciting as a story. I wasn’t feeling that “spark” you get when a piece is really coming together.

And then I had the idea to make it a contemporary, and I started to find so many parallels between the issues the astronaut families would face today and what they really did face 50 years ago. I replotted the book, adding the social media and reality show elements, the “Orpheus” missions to Mars, and I found a way to reference the drama of the 60s while not getting too caught up in nostalgia. I decided to go for it during NaNoWriMo 2016, and ended up drafting the full book in three weeks. It just worked so well.

In the book, both Cal’s mother and Leon struggle with mental health issues. However, Cal does not explicitly struggle with mental health. Why was it important to you to include mental health issues from the perspective of a perceived outsider (i.e. Cal)?

This really came from my own personal experiences—I’ve spent a lot of time (over the last half-decade especially) learning how to manage my own mental health, and for me, part of the challenge of that is in how to communicate it to others. Too often, it can feel like it’s “me against the world” when mental health is concerned, and I found it almost therapeutic to write from the perspective of a character who may or may not have the same experience, but who still takes the time to listen and understand.

Given the right circumstances, would you consider a sequel?

Absolutely! I loved spending so much time in this world, and I could definitely see the potential for more stories within it. Keep your fingers crossed. 🙂

Thank you so much to Phil for his time and thoughtful answers!!

I’ve linked some important links below:

Add The Gravity of Us to Goodreads

Pre-order The Gravity of Us

Info about Phil Stamper’s awesome pre-order gift (a bookplate that’s been flown into space!) 

Follow Phil on Twitter

Author Interview with Stephanie Kate Strohm

Continuing the interview series, I have an interview today with Stephanie Kate Strohm, author of eight books, the most recent being That’s Not What I Heard. I have read every single one of her books, and I have freaking loved all of them.

Here’s a bit about Stephanie:

Stephanie Kate Strohm is the author of It’s Not Me, It’s You; The Taming of the DrewPilgrims Don’t Wear PinkConfederates Don’t Wear Couture; The Date to SavePrince in Disguise, Love a la Mode,and That’s Not What I Heard. She grew up on the Connecticut coast, where a steady diet of Little House on the Prairie turned her into a history nerd at an early age. After graduating with a joint major in theater and history from Middlebury College, she acted her way around the country, performing in more than 25 states.

Although she was born in New York, she currently lives in Chicago, and doesn’t discriminate against any type of pizza. When she’s not writing, she loves baking, walking her dog Lorelei, taking dance cardio classes too seriously, and playing board games with her husband.

And here’s a bit about Stephanie’s most recent book:

What did you hear?

Kimberly Landis-Lilley and Teddy Lin are over. Yes, the Kim and Teddy broke up.

At least that’s what Phil Spooner thinks he overheard and then told Jess Howard, Kim’s best friend. Something about Teddy not liking Kim’s Instas? Or was it that Teddy is moving to Italy and didn’t want to do long distance? Or that Kim slid into someone else’s DMs?

Jess told her boyfriend, Elvis, that he needs to be on Kim’s side. Especially if he wants to keep her as his girlfriend. But Elvis is also Teddy’s best friend.

Now, Kim’s run out of school for the day. Jess is furious. Elvis is confused. And half the lunch period won’t talk to Teddy. Even the teachers have taken sides.

William Henry Harrison High will never be the same again!

And now for the interview!

That’s Not What I Heard is probably the funniest book I’ve ever read. I know that you briefly worked as a teacher. Did any of your experiences impact how you crafted this book?

My year and a half working at a high school informed EVERYTHING about the teacher scenes – even down to the PE teachers eating a whole rotisserie chicken every lunch. I started midway through the year, and I was shocked by how much being in the teachers lounge reminded me of being back in high school – and even more shocked by how much the teachers knew about all the students’ social lives! (And also, by how many teachers fell in love and got married!) I’d wanted to write a YA that included some of high school from the teachers’ perspective ever since I started teaching, so I’m so glad I finally got the chance to. Ms. Somers’ POV was my favorite one to write.

You have an (adorable) one year old. How has his presence impacted your writing career? 

My son has changed everything about my life, including my writing. I used to only write when I felt like it, and then when I did feel like it, I’d write in giant, uninterrupted chunks. Now, my process is completely different. I write every single day (thanks, nap time!) and I usually only write 500 words – before baby, I thought that 500 words was nothing. But I was pleasantly surprised to find that it added up more quickly that I would have guessed! Writing has become a slow and steady process, but I’m making it work. The other big change is that I find it harder to find the time to dedicate to social media – and that I need to make sure events will at least cover the cost of a babysitter before I commit! I love doing festivals and panels and school visits, but it’s a little more challenging to schedule everything now.

If you could choose exactly one of your books to become a movie/tv series, which one would it be and why?

This is tough, but if I could only choose one, it would be Prince in Disguise, because i LOVE Christmas movies!! White Christmas is my all-time favorite, but I spend most of December glued to the Hallmark Channel. Name a made for TV Christmas movie, and I’ve probably seen it!

It’s Not Me, It’s You and The Date to Save both are told through an oral history type of style. What were the main challenges of this and your favorite parts of utilizing that style?

The biggest challenge was being able to move the plot along without exposition – I definitely got the hang of it eventually, but it was a process! My favorite part was not having to write any exposition, hahahaha – the oral history style is basically all dialogue, which is my favorite thing to write!

You have some extensive history working as an actress. How would say that this has impacted you as a writer?

And back to dialogue, I think the reason I love writing it so much is because of my background as an actor. I really like getting into characters’ voices, and I think it helped give me a sense of what dialogue sounds natural and what sounds stilted. Plus, I like to think it helped develop my sense of comic timing and how to pace a joke.

If you could co-write a book with another author, living or dead, who would you pick and why? 

Emily Bronte. Wuthering Heights, now with LOLZ!

Thank you so much to Stephanie for her time!!

And here’s some links to check out her works!!

Add Stephanie Kate Strohm’s books on Goodreads

Author Interview With Tom Ryan

In continuing my interview series, I have the great pleasure today of doing an interview with Tom Ryan whose most recent book is Keep This To Yourself. You can read my review of that book here.

A little bit about Tom Ryan from his website:

Tom Ryan is the author of several books for young readers. He has been nominated for the White Pine Award, the Stellar Award and the Hackmatack Award, and two of his books were Junior Library Guild selections. Two of his young adult novels, Way to Go and Tag Along, were chosen for the ALA Rainbow List, in 2013 and 2014. He was a 2017 Lambda Literary Fellow in Young Adult Fiction.

Tom, his husband and their dog currently divide their time between Toronto and Nova Scotia.

And a bit about Tom Ryan’s most recent book (also from his website):

A town ripped apart.

A message from beyond the grave.

And a chance for justice.

Last summer, a serial killer terrorized the sleepy seaside village of Camera Cove, killing four people before disappearing without a trace. Like everyone else in town, eighteen-year-old Mac Bell has been trying to move on from the tragedy—easier said than done when Mac’s best friend, golden boy Connor Williams, was the final victim. But Mac is starting to accept that he might never find closure…

Until he discovers a note that Connor left him the night he died—a note hinting he’d found out the killer’s identity and needed Mac’s help. Now, Mac’s on a mission to solve Connor’s murder once and for all. And nobody—friends, neighbors, or even the cute stranger with his own connection to the case—is beyond suspicion.

Can Mac untangle the truth before the killer strikes again?

And now on to the interview!

Keep This to Yourself is the first book that you’ve had published with literary agent representation. How has this process been different for you?

I’ve been publishing in Canada for almost a decade, and it’s not entirely necessary to work with an agent here, so for many years I didn’t. At a certain point I decided that I wanted to expand my horizons a bit, so after writing a first draft of KEEP THIS TO YOURSELF I began querying, and signed with Eric Smith relatively quickly. One of the things I’ve enjoyed most about working with an agent is that I don’t have to spend valuable time figuring out contracts! I really don’t enjoy the ‘business’ side of publishing, so I’m happy to have someone on my side who can handle that end of things. It’s also great to have someone to bounce ideas around with, and come up with a strategy when it’s time to submit a new project.

Keep This to Yourself features the Catalog Killer, a creepy serial killer. Did you do any research into serial killers for this book/if so what did that process look like?

I didn’t do a lot of specific research into serial killers, but I do listen to a lot of true crime podcasts, and have read a lot of crime fiction over the years, so I’d absorbed some details about how serial killers tend to operate (many leave a signature, etc…) that I was able to include as I created the Catalog Killer and developed their M.O.

Keep This to Yourself’s protagonist Mac is gay. At this point in time, I’ve probably only read a dozen of thrillers that have queer protagonists. Why was it important to you to specifically write a thriller with a gay protagonist?

I’m gay myself, and I have committed myself to writing queer characters into all of my young adult novels. My previous YA titles were straightforward contemporary, but with KEEP THIS TO YOURSELF I really wanted to write a mystery/thriller with a main character who I would have had an easier time relating to if I’d picked this book up at fifteen. I read a lot of mysteries during high school (Christopher Pike, Lois Duncan, lots of classics like Agatha Christie) but they never featured an insecure gay teen detective, so I decided to write one!

One of your upcoming books is a co-write with author Robin Stevenson. If you had an opportunity to co-write with any other author (living or dead), who else would you want to co-write with and why?

Great question! I had a blast writing with Robin, who is one of the loveliest people alive, so I’m tempted to say I’d do it again with her, but instead I’m going to be a bit more creative and say that I’d absolutely love to co-write a mystery with Maureen Johnson. It’s clear from interviews she’s given that she’s a devoted fans of mysteries, and I’m obsessed with her TRULY DEVIOUS series. The main character in the TRULY DEVIOUS books is named Stevie Bell, and my main character in KEEP THIS TO YOURSELF is Mac Bell; someone speculated on twitter recently that maybe their cousins and could join forces to solve a mystery, and to be completely frank that would be a dream project!

What does your typical writing day look like?

I am a very methodical writer, and when I’m working on a book, I follow a very specific routine. I get up early, usually between 530 and 6, take my dog for a long walk during which I listen to my project playlist to get in the mood and work through problems and ideas, then I get home, shower and have a quick breakfast, and bring coffee into my office around 8. I try to get 2000 words a day, which can take me anywhere from two or three hours on a good day, to the late afternoon on a slower day. I work best when I’ve been following this routine regularly for days or weeks, and have had an opportunity to really sink into the story.

A hypothetical: Congratulations! You’ve been asked to write an IP work for one of your favorite things. What would you write IP for/would you accept that offer? Explain. 

Another cool question! There are a bunch of IP projects I’d love to tackle, but one in particular is Nancy Drew. As a child I spent some time in the children’s wing of my local hospital, and someone had donated a complete set of the Nancy Drew detective novels, which I totally inhaled. Those books really spearheaded my love of mysteries, and I think the characters and atmosphere are ripe for different perspectives. I also know that a Nancy Drew tv series is in the works, so who knows? Maybe there will be some tie-in novels.

Thank you again to Tom Ryan for his time and thoughtful answers!

I’ve dropped some links below to further check out Tom’s work.

Add Keep This To Yourself to Goodreads

Add When You Get the Chance (co-written with Robin Stevenson) to Goodreads

Buy Keep This To Yourself

Follow Tom Ryan on Twitter

Author Interview with Laura Silverman

Next up in the author interview series is an interview with Laura Silverman! I have read both of Laura Silverman’s books as well as an ARC of the forthcoming anthology that she co-edited entitled It’s a Whole Spiel which releases September 17.

Here’s a bit about Laura Silverman from her website:

Laura Silverman is an author and editor and currently lives in Brooklyn, NY. She earned her MFA in Writing for Children at the New School. Her books include Girl Out of Water, You Asked for Perfect, and It’s a Whole Spiel. Girl Out of Water was a Junior Library Guild Selection. You can contact Laura on Twitter @LJSilverman1 or through her website

and here’s a little bit about her two full length novels and a forthcoming anthology that she co-edited with Katherine Locke.

Girl Out of Water: Fans of Jenny Han and Sarah Dessen will fall in love this contemporary debut about finding yourself-and finding love-in unexpected places.

You Asked for Perfect : For fans of Adam Silvera and Nina LaCour comes a timely novel about a teen’s struggle when academic success and happiness pull him in opposite directions.

It’s A Whole Spiel: Get ready to fall in love, experience heartbreak, and discover the true meaning of identity in this poignant collection of short stories about Jewish teens.

And now for the interview!!

Girl Out of Water‘s main character surfs and learns to skateboard. Why did you pick those sports specifically?

Girl Out of Water started with just a title. The word “landlocked” popped into my head one night, and I thought it would make a cool book title (of course it was later changed but I love the new title more). So I tried to imagine what would make a character feel landlocked. The answer came to me almost right away – a surfer girl who spends all of her time in and by the ocean and then has to move to a landlocked part of the country. Once she got to Nebraska, it felt natural that another sport, though unfamiliar, might make her feel a little more at home, so skateboarding was the perfect fit! 

You’ve been an editor of two anthologies, one releasing in September 2019 and the other forthcoming in spring 2021. What are some of the most rewarding aspects of being an editor to anthology?

I love editing anthologies so much – possibly even more than writing books! It’s incredibly rewarding to work with talented writers I admire. It’s literally my job to read a bunch of incredible stories. I love seeing what all of the different writers do with the common theme. I love it, and I already have a couple more anthology ideas in mind that hopefully I’ll be able to pull together. 

What does your typical writing day look like?

I try to work a somewhat typical Monday-Friday schedule, though I don’t always stick to it. On days I’m working, I get up, shower, eat, breakfast, etc., and then I write first thing for somewhere between 1-3 hours. I find if I don’t write right away, then it’s probably not going to happen at all that day. After writing, I get into my freelance editing and administrative tasks. 

You Asked For Perfect perfectly nails academic anxiety. I write, and sometimes, my main character’s anxiety in scenes quickly becomes my own. How did you avoid getting sucked too deep into the depictions of anxiety in writing it?

Well, I didn’t avoid it haha! It was incredibly stressful writing You Asked for Perfect. Thankfully though Ariel and I would both get an emotional breather during the adorable scenes with Amir.

Thank you so much to Laura Silverman for her time and for her thoughtful answers!!

I’ve linked to the three previously mentioned books below as well as her 2021 anthology below:

Links to Buy Laura Silverman’s books

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