I have the honor of interviewing Caleb Roehrig for the blog today! It’s been a dream to interview Caleb, and I’m so thrilled I get to do this.
Here’s a bit about Caleb:
Caleb Roehrig is a writer and television producer originally from Ann Arbor, Michigan. Having also lived in Chicago, Los Angeles, and Helsinki, Finland, he has a chronic case of wanderlust, and can recommend the best sights to see on a shoestring budget in over thirty countries. A former actor, Roehrig has experience on both sides of the camera, with a résumé that includes appearances on film and TV—as well as seven years in the stranger-than-fiction salt mines of reality television. In the name of earning a paycheck, he has: hung around a frozen cornfield in his underwear, partied with an actual rock-star, chatted with a scandal-plagued politician, and been menaced by a disgruntled ostrich.
And a bit about his latest book:
Teenage socialite Margo Manning leads a dangerous double life.
By day, she dodges the paparazzi while soaking up California sunshine. By night, however, she dodges security cameras and armed guards, pulling off high-stakes cat burglaries with a team of flamboyant young men. In and out of disguise, she’s in all the headlines.
But then Margo’s personal life takes a sudden, dark turn, and a job to end all jobs lands her crew in deadly peril. Overnight, everything she’s ever counted on is put at risk. Backs against the wall, the resourceful thieves must draw on their special skills to survive. But can one rebel heiress and four kickboxing drag queens withstand the slings and arrows of truly outrageous fortune? Or will a mounting sea of troubles end them — for good?
And now for the interview!
Since your debut came out in 2016, you’ve had a busy career with two additional published books, two forthcoming, and three short stories coming. What do your writing days/nights look like to accomplish all that?
OOF. Ugh. This has actually always been a bit of a moving target, but…lately it’s been moving in a bad direction, haha. When I wrote my debut, I was living in Europe without a work visa, and my schedule was eight hours of writing a day: 3 pm-7 pm, break, 10 pm-2 am. Three moves and several spirals later, my schedule while writing THE FELL OF DARK and A WEREWOLF IN RIVERDALE (simultaneously) often had me up until 5 am. (Not something I want to maintain!) (I am happy to report that over the past two months, my bedtime has moved back to 2 am!)
Your first two books are told in first person while Death Prefers Blondes is told in third person. What drove those specific decisions?
This is such a good question! I cut my teeth on first-person detective fiction—Sue Grafton, Raymond Chandler, Sara Paretsky—and I really love the opportunity it affords to dig into the main character’s innermost thoughts and feelings. However, when I was plotting DEATH PREFERS BLONDES, and I knew it was going to be an ensemble narrative, (and one with plenty of switching back and forth, even within the same scenes and sequences,) I had to consider what would be the cleanest and most elegant way of effecting those transitions. Ultimately, I decided that a third-person limited perspective would be best.
Your books are set in many locations. Last Seen Leaving in Ann Arbor, Michigan, White Rabbit in Vermont, Death Prefers Blondes primarily in Los Angeles, and the forthcoming The Fell of Dark in the Chicago suburbs. What drives your decision for book settings?
Environment is an absolutely crucial factor for me when I’m plotting a story, and to date I’ve chosen settings that are all personally meaningful. Ann Arbor is my hometown, I got married in Vermont, I lived in Los Angeles for ten years, and I lived in Chicago for one year before that (and now live there again!) In many ways, it’s a chicken-vs-egg situation: I choose the location because its vibe fits the atmosphere I want for the story, but the story can change as it develops because the environment of the location requires it.
Writing can be immensely stressful. What ways have you found to relieve some of that stress?
I always give the most disappointing answer to this question, but here it is: running. I want to be clear that this is what works for me, because I know it isn’t possible or enjoyable for everyone—but it might be the only thing that truly works for me. I burn off anxious energy, I build up endorphins, I give myself a full hour to do nothing but mentally focus on the story I’m trying to tell while my body is otherwise engaged. Anyway, I guess that’s my answer and I’m sticking to it!
What has been your most rewarding part about being an author?
Typically, I’ve always answered this question with a glib remark about how I can show up late for work with a martini in both hands and still not get in trouble, but the truth of the matter is, I’ve never felt luckier in my life. I get to tell stories, and I get to see people engage with them; I get paid to let my imagination run wild—and my fantasies were always as alive to me as the real world anyway. Plus, at least in my books, I can control the chaos spilling into everyone’s lives, and I get to decide when and how it ends.
I often fall into the trap of looking ahead at upcoming releases that I miss so many fantastic books already out there. What already released books would you say are absolute must-reads (any genre)?
To shout out a few titles just off the top of my head, for YA: NOTEWORTHY by Riley Redgate; ALL OF THIS IS TRUE by Lygia Day Peñaflor; UNDEAD GIRL GANG by Lily Anderson; THE DARKEST CORNERS by Kara Thomas; KEEP THIS TO YOURSELF by Tom Ryan; The Engelsfors Trilogy (THE CIRCLE, FIRE, THE KEY) by Mats Strandberg and Sara Bergmark Elfgren; for adult fic: LOCK EVERY DOOR by Riley Sager; THE LIE by CL Taylor; THE DARE by Megan Abbott; GARNETHILL by Denise Mina; and the VI Warshawski series by Sara Paretsky.
As an author, you sometimes have an opportunity to read early versions of upcoming releases. Besides your books, what upcoming releases should we add to our TBRs?
REVERIE by Ryan La Sala; SURRENDER YOUR SONS by Adam Sass; THE GRAVITY OF US by Phil Stamper; HOW TO BE REMY CAMERON by Julian Winters; SCAMMED by Kristen Simmons; THE LIARS OF MARIPOSA ISLAND by Jennifer Mathieu; DARK AND DEEPEST RED by Anna-Marie McLemore; and DARLING by K. Ancrum!
Thank you so much to Caleb for his time!
Links for Caleb Roehrig
Links for all of Caleb Roehrig’s recommendations
Noteworthy by Riley Redgate
All of This is True by Lygia Day Peñaflor
Undead Girl Gang by Lily Anderson
The Darkest Corners by Kara Thomas
Keep This to Yourself by Tom Ryan
The Engelsfors Trilogy by Mats Strandberg and Sara Bergmark Elfgren
Lock Every Door by Riley Sager
The Lie by CL Taylor
The Dare by Megan Abbott
Garnethill by Denise Mina
The VI Warshawski series by Sara Paretsky
Reverie by Ryan La Sala
Surrender Your Sons by Adam Sass
The Gravity of Us by Phil Stamper
How to Be Remy Cameron by Julian Winters
Scammed by Kristen Simmons
The Liars of Mariposa Island by Jennifer Mathieu
Dark and Deepest Red by Anna-Marie McLemore
Darling by K. Ancrum